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As with all Charlie Kaufman movies, the story of Eternal
Sunshine plays off an original idea that’s meant more as a subject of
discussion than a streamlined story. Here, he posits the question: what if you
could erase painful memories? Instead of turning the question into something
dreary, like getting rid of memories of bullying or abuse, he turns to
relationships and walks us through the mind of Joel (Jim Carrey) as he gets the
memories of his ex-girlfriend Clementine (Kate Winslet) systematically erased.
There are some side plots involved, which interconnect with Joel’s story, but
the emphasis is on Joel and his memories overlaid with how he feels about them
being erased as it’s happening. Each memory acts as an encapsulated moment,
with the most recent scenes of bitterness between the couple erased first. As
he slowly goes back in time to when they first met, his unconscious mind saddens
to the fact that he’s now completely losing the girl he used to love, asking
himself, through the projected image of his ex, if he could simply live in the
good moments, not wanting to get rid of them at all.
After the procedure—spoiler alert—the two meet up again in a
clever bit of fractured storytelling, where they meet at the beginning of the
movie, only for you to find out that their meeting occurred after both lovers had
their memories erased. Clementine, dating the guy who helped erase Joel’s
memories and takes advantage of them to get in with her, realizes that you
can’t fake love, and falls for Joel all over again (though it’s not really as
cheesy as it sounds, the two are somewhat distraught about finding out they
once knew each other very intimately). It’s got a clear message that no matter
how imperfect the relationship is, it’s still worth having and holding onto
your memories of it.
It’s Joel’s memories that impact the viewer most and tether
everything together, though. I haven’t seen the movie in years, yet I can still
recall images of the house where he first met his ex-girlfriend disappearing
from him, slowly crumbling as he accepts that it’s likely the last time he’ll
ever see her again. The way these scenes
are shot is so earnest, with two people who just enjoy being together, like
kids in a playground. The camera rarely focuses on anything other than the two throughout these sequences,
making everything around them dreamlike, as one room blends into another,
slowly peeling away the memories and smoothly fading into the most intimate and
happiest moments they had together. Joel’s memories are disconnected and surreal but so clear and vibrant. As an audience,
you can’t help but feel sad for his misguided choice to get rid of them, just
as he tries as hard as he can to hold on.
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